( themmusic playing )

- ( fanfare )
- ( horses neighing )

- CHEERS, BY.
- CHEERS.

SO ARE WGONNA
TALK ABOUT THAT?

- WHAT?
- AT HANDCUFF
ON YOUR WRIST.

JESUS, GIVE ME A BREAK.
IT'S A BRACELET,
THAT'S ALL.

IT'S CALLED
THE LOVE BRACET
THOUGH, RIGHT?

I DON'KNOW
WHAT IT'S CALLED.

THAT WHAT IT'S CALLED--
A CARTIER LOVE BRALET.

DOES THIS ME
THAT VINCE AND AMANDA
ARE IN LOVE?

NO, IT MEANS
KNOWS WAY TOO MUCH
ABOUT JEWELRY.

IS THAT WHAT
IT'S CALLED, VIN?

I DON'T KN
WHAT IT'S CALLED, TURTLE.

L I KNOW IS
YOU'RE ANNOYING ME

AMANDA GOT ME A GIFT,

A VERYICE GIFT,
AND I HAPPEN TO LI IT,
ALL RIGHT?

SO STAY OFF MY ASS.

YOGUYS
ARE NOT GONNA BELIEVE
THLUCK OF THE IRISH.

- WE'VE GOT A SUREHING
RUNNING IN THE FIFTH.
- RELY?

- ARE YOU SERIS?
- HOW DO YOU KNOW, DRAMA?

BECAUSE I KNOW
THE PONY'S GRANDDAD.

AND IN HORSERANG,
AS IN LIFE,

A GOOD LINEA
IS THE SUREST WAY

TO PREDI
A FINE PERFORMANCE.

WELL, HOW COME YOU'RE
FROM VINCE'S LINEAGE

AND ALL YOUR
ORMANCES SUCK?

Vince: ALL RIGHT, JOHNNY,
WHO'S THE GRANDDADDY?

KINGMAKER.
REMEMBER THAT ME?

KINGMAKER?

NO.
- WHO'S THAT?

COME ON, KINKER--

HE CAME HOME FOR ME
AT 1TO ONE AT BELMONT.

THAT'S HOWI BOUGHT .
ANY OF TS RINGING A BELL?

- NOT REALLY.
- NO.

I THOUGHT YOU BOHT
YOUR LINCOLN FROM SELLING
ED AT THE HIGH SCHOOL.

- THAT RINGS BELL.
- WHATEVER.

- YOU GUYS WANNA WIN
SOME DOUGH WITH ME OR NOT?
- YES.

- OBVIOUSLY.
- DEFINITELY.

BUT IT'S NOT TILL
E FIFTH RACE, SO CAN WE
DO ANOTH SHOT?

YOU GUYS ARE DOING SHOTS
AT0:30 IN THE MORNING?

RELAX, KID.IT'S A H.

- WHAT HOLIDAYS IT?
- YOM KIPPUR, RETARD.

OH YEAH, THAS RIGHT.
I FORGOT.

WONDER THERE WAS
NO TRAFFIC.

HEY, CHIEF, CAN WE GET
A COUPLE SHOTS OF CUERVO
OVER H PLEASE?

YEAH.
MING UP.

WHAT MOMMY GOES ROUGHHIS.
EVERY DAY TO MAKE
A HOBODY FOR DADDY.

- ARI!
- DADDY'S JUST
KIDDING, SWEEE.

RAH, WE FAST AND
MAKE OTHER IMPTANT
SACRIFICES TODAY

TO SHOW GOD WE'RE SORRY
FOR R SINS.

- DADDY ATE A BREATH MINT.
- WHAT?

NOW U'RE GONNA
HAVE TO ATONE FOR
TTING DADDY OUT, BABY.

WH, YOU THINK
GOD WANTS MY BREATTO SMELL?

- Man: ARI.
- THERE HE IS, LITE
NICKY RUBENSTEIN.

- SHEILA, HOW ARE YOU?
GOOD TO SEE YOU.
- HOW ARE YOU ING?

- HAPPY NEW YEAR.
- WHERS THE OLD MAN?

HE'S ON A PLANE
TO COLOMBI

ON THE HIGHEST OF HOLIYS,
WOULD YOU BELIEVE?

, STOP.
WE'VE GOT ENOUGH
STRE TODAY.

YOUR FHER'S GOT
$100 MILLION IN THE .
HOW MUCH STRESS CAN YOU HAVE?

IT'SMEDELLIN," MOM.
WELL, "MWHY THE FUCK CAN
FALLING ANYONE PRONOUNCE IT?

- DO NOT CURSE
IN THE TEMPLE.
- EXCUSE ME.

BENICIO ED
AND MY FATHER'S TRYING
TOREVENT THE WHOLE CREW

- DOING THE SAME.
- HE'S BEEN SANG BENICIO'S
GONNA WALK FOR EKS.

NO, IT'S OFFICL.
CHECK OUT "US WEEKLY."
THERS A PICTURE OF HIM

ON A CATAMARAN
WITH SOME BLONDE BBSHELL
IN ANGUILLA.

- IT WAS ANTUA.
- ANTIGUA, ANGUILLA--
WHO THE FUCK CARES?

- ( all exclaim
- ALL RIGHT, EXCUSE ME,
EXCUSE ME.

THE POINT IS,
HAGGIS IS FREAKED, OKAY?

AND GATOFF IS GIVING US
TILLUNDOWN TONIGHT

TO FIND A REPLACEMEN
OR HE'S GONNA SHUT
THE WHOLING DOWN.

I HEAR CRUISE IS GOING
FOR 10¢ ON THE DOLLAR.

NO NO NO.
I WANT YOUR BOY, ARI
I WANT VINCE.

- HE'S N MY BOY ANYMORE.
- THEN PUT ME ONHE PHONE
WITH HIM,

'CSE THIS GIRL'S
AGENCY IS CLOSED
FOR THE FUCKING HOLIDAY.

I DOESN'T HAVE A PHONE, NICK.
IT'S YOM KIPPUR.

NICK DOESN'T EITHER
BECAUSE I FRISKED HIM
BEFORE WLKED OUT.

LOOK, SINCE YOU WON'T
COMMISSION VINCE ON THIS,
COMMSION US, OKAY?

THE CK END
COULD BE HUGE.

JESUS CHRIST,
IT IS YOM KIPP.

AND LOOK WUST
SAID "JESUS CHRIST."
YO FATHER AGREED TO THIS?

I KNOW THAT KNOW
I SPEAK FOR THE FAMILY.

- NOW CO ON, HELP A FELLOW
MEMBER OFHE TRIBE.
- ARI.

MY HANDS ARE TIED, NICK.
CAN'T DO IT.

- NOT TODAY.
NO SINESS.
- THANK YOU.

( mouths )

50 TO ONTHE BIER THE ODDS,
AT'S YOUTHE BIGGER THE PAYDA

I'M IN FOR A.

ARE YOU
OUT OF YOUR FUCKINMIND?

- TRT ME.
- I'M PUTTING IN
E BUCKS, THAT'S IT.

AH, I'M GOOD FOR 10.
- PUSSIES.

ARE YOU REALLY
ELING THIS, JOHNNY?

YEAH, THEY'RE
UNDEREIMATING HIM, BRO,
JUST LIKE THEYID HIS GRANDDAD.

AND YOU REMEMBER
WHATE GOT US?
THE LINCOLN, BAB

REMEMBER ALL THE GOOD TIMES
WE IN THAT CAR?

FIRST KNICK GAME
WEVER WENT TO
WAS IN THAT CAR.

- FIRST GIANTS GAME TOO.
- FIRSTRIP TO A.C. ALSO.

WE NEVER TOOKTHE LINCOLN TO.

YOU MIGHT HAVE BEE
OUT OF TOWN, JOHNNY.

JESUS CHRIST,
WHO DROVE?

( laughs )
WHAT'S T DIFFERENCE?
COME ON, WE'RE IN.

WELL, IT'S ONLMONEY.RIST,
I'M GOOD FOR FIVE Gs.?

- FIVE Gs? ( whists )
- WE'RE ALL GONNA GET
RICH TODAY, BABY.

BUT LET ME GO FIRST.
I DON'T NT YOU GUYS
FUCKING UP MY ODDS.

- ( phone rings )
- LOOK AT THIS.

WHAT IS THIS,
A DRK DIAL, ARI?

SORRY, E,
THE MANIHEWITZ IS NOT
FLOWING TILL SUNDOWN.

What do you want?
- I HA AN OFFER.
ARE YOU INTERES

YEAH.
CALL OUR AGENT.

IRIC THAT ON MY
PEOPLE'S HOLIDAY

I'M WORKING
AND SHE'S NOT.
CH IS LIFE.

- SO CALL HER TOMORROW.
- CIO JUST QUIT
"MEDELLIN" OFFICIALLY.

They want Vince
but they need him fast.

- SAYS WHO?
- PHIL RUBENSTEIN.

I'M STANDIIGHT NEXT
TO HIS SON/CO-PRODUC
RIGHT NOW.

- NICK, SAY HELLO.
- HELLO, E.

HEY, NICK.
- WE WANT VINCE.
THIS IS NO BULLSHIT.

- 'S GOING ON?
- ARI'S WITH PHIL BENSTEIN'S
SON NICK RIGHT NOW.

THEY WANT YOU TO DO
"MEDELLIN."

THISS THE THIRD TIME
ARI HAS PROMISEDOU
THIS MOVIE, E.

- YEAH, BUT THIS TIME IT'S R
- BY THE WAY, THIS IS ALSO
THE THIRD TIME

YOU PROMISED M
THAT YOU GUYS WOULD
STOP TALNG TO HIM.

WE'RE NOT TALKINTO HIM.
WE'RE TALKING TO
NICK RUBENSTEIN.

ARI REPRESTS HIM.
IT'S NOT OUR FAULT.

NO, I GUESS NOT.
BUT I S IT'S MY PROBLEM.

SO WHAT, I'M SUPSED TO
JUST SHOW UP AT A TEMPLE

THE MOST
RELIGIOUS DAY OF THER
TO DISCUSS BUSINESS?

IN THELLEY JUST SHING UP.
BEHIND THE SOUTHERN ENTRANCE
NEXT TO THE DUMPSTERS.

WHAT- WHAT'S SHE SAYING?
BRINSHE DOESN'T WANT
COME TO GO TO TEMPLE. ABSURD.

- LE TALK TO HER.
- SHE'LL GO TEMP
FOR VINCE.

Drama:
SHE'D GOTHE GAZA STRIP
IN A YARMULKE FOVINCE.

REALIZE THAT THIS
HAS TO BE LOED DOWN
BY SUNSET, RIGHT?

YERIC, I HEARD YOU,
AND I WILL MT THEM
ANYWHERE ELSE.

- AMANDA.
- PUT VINCE ON.

CAN I TALK TO HER?
- WHD YOU WANT ME
TO CALL HER?

I DIDN'T WYOU TO FEEL
LEFT OUT IS NOT PROCESS.
COME ON.A GOOD SITUATION, VINC

HELLO.
- HEY, VINCE.

OKAY, IT YOM KIPPUR.
THIS IS RIDICULOUS.

( lahs )
I KNOW, I KNOW.

I KNOW.G

LOOKS LIKE YOU'RE
A TINY LITTLE NOW,
ARE WHEEL.

OH, THERE HE IS.

WE LE YOU, KING!

- Turtle AW, HEKS
OUT OF SHAPE.
- AT ARE YOU TALKING ABOUT?

LOOK AT THE GLUTES.
FUCKING BEAUTIFUL.

DO YOU WANNA
WIN MOY ON HIM
OR FUCK HIM, DRAMA?

DON'T TALK UNCIVILIZED
AT THECK, E.

IT'SLL GOOD.
SHE'S HEADING
TOEMPLE NOW.HE SAY?

AT WAS A SURE THING.

THIS WILL BE
THSIEST PAYCHECK
YOU EVER MADE,

EXCEPT FOR THAINT
AT SPEARMINT RHINO.

STOP WASTING TIME, ARI.
YOU'VE G A LOT OF BEGGING
FOR GOD'S FORGIVENESS

- TO GO BACK TO.
- Nick: OKAYLOOK,

AMANDA, I SPOKE TO
THE STUDIO CHIEF

THIS MORNG, OKAY?
AND HE'S PREPARED TO MT
VINCE'S QUOTE.

GREAT. THEN THIS
SHOULD BE EASY.

FANTASTIC.
WE'VE GOT A DEAL
AT THREE MIL

, NO, BECAUSE VINCE'S
QUOTE IS S MIL.

- S-SIX?
- WHAT'SHE MATTER, ARI,
SHORT-TERM MORY LOSS?

- ARI, IS IT SIX?
- YEAH, , IT'S SIX.

I SHOULDNOW,
I GOT IT THERE.

OKAY, ARE WE DOING AEAL
OR TALKING ABOUT
GLORY DAYS?

I COULD SWEAR
MY FATHER ID
IT WAS THREE.

WHATEVER.
DEAL. T'S A DEAL.
WE'LL DO IT AT SIX

GREAT.
VE ARTHUR SIGN OFF,
CALL ME, AND WE'RE CLOSED.

DONE. WE GET E
ON THE PLANE TONIGHT, DOT TH
"I's" IN THE MORNING, YES?

UH, .
ARTHUR CALLS FIRST.

- , AMANDA...
- ( men laugh )

...AMANDA, AHUR GATOFF
IS A VERY RELIGIOUS MA
IT'S YOM KIPPUR.

THE MAN DOESN'T EVEN
LEHIS KID GO TO LES DEUX
ON FRIDAGHT.

I GIVE YOU
THE RUBENSTEIN FAMY WORD
WE HAVE A DEAL AT SIX.

THE RUBENSTEIN
FAMILY WORD?

THAT IS REALLY
ASSURING, NICK.

WOW. OKAY, AMANDA,
WE'VE CHANGED, ALL RIGHT?

NEITHER ONE
OF US HAD A SIP
IN OVER A YEAR.

HERE'S MY NUMBER.
THE PHE WILLE ON
ALL DAY.

G
( engine turns over )

Sarah:
MOM TOLDE TO FIND YOU.

YOU DID.
I'M IN THE BATHR
I'M NOT FEELING WELL.

I'M ON MY HANDS KNEES.
I'M VERY SICK RIGHT NOW,
HONEY.

THAT ITHE BEAUTY
OF YOM KIPPUR-- WANT ME TO LIE?!

AS LON YOU
APOLOGIZE BY SUNDOWN,
ESN'T MATTER WHAT YOU DO.

NOW GO.
I' BE BACK SOON.

WHAT THE FUCK
ARE WE GONNA DO?

LET'S GO
GET GATO.

HE'S AT WILSHIRE ORTHODOX.
IT TWO MILES AWAY.
YOU GOT A CAR?

- NO. YOU? LET'S GO
- . CALL A CAB?GATO.

- GOT ANY NEY?
- NO, MOM TOOK IT. YOU?

THE WIFE TOOK EVERYTHING
BUT FILLINGS.

SO WHAT NOW?

NOW, LIKE OUR
DESERT-DWELLING ANCESTORS

WE WALK.

AW...
( mutters )

( crowd cheering )

COME ON!
YOU'RE THE KING!
GO, BABY, GO!

EASY, DRAMA.
HE'SN LAST.

SHUT U TURTLE.
HE'S PACING
HIMSEL

HE LOOKS LIKE
'S ON A LEISURE WALK.

- Vince: OKAY.
- ( announcer speaking
over P.A. )

SURE YOU CAN TAKE ME
TO THE AIRPORT.

( laughs )

YEAH, SOUNDS LIK
A GREAT SENOKAY, BYE.

IT'S ALL GOOD.
E SAID THE MONEY'S
NO BIGGIE.

THEY'RE JU WAITING
FOR THE STUDIO HEAD
SIGN OFF.

G
- WHAT?
- NOTHG.

UR GIGGLING'S MAKING ME
A LITTLEAUSEOUS.

GIGGLING?
THERE WAS NO GGLING.
I LAUGHED.

SOUNDED LIKE A GIGGLE
TO ME.

IF YOUR VOICE
GOES UP IN PITCH
PAST THE HIGH

'S A GIGGLE.
YOU HIT A D THERE,.

- WHATEVER.
- WHATEVER IS RIGHT,

'CAUSE LOOK WHO'S
KING HIS MOVE.
GO, KING!

- HOLYHIT!
- Announcer: ...King's Raom
on the outside...

- Vince: COME ON, BABY!
50 TO ONE! MAKE IT HOME!

Announcer: To the finish line,
's King's Ransom
and Go Forroke.

Now Go For Broke
fighng back.

King's Ransom
trying to hold the lea
but here comes Go For Broke

driving ha
on the outside
and into the lead.

And at the wire,
it's Go For Broke!

Go For Broke,
another strong...
( trails off )

- WHAT?- OH, WELL.

90 THIS TIME OF YEA
I MEAN, CAN ANYONE

REAL DEBATE
GLOBAL WARMING
AT TPOINT?

SHLD HAVE THOUGHT
ABOUT THAT WHEN U TOOK YOUR
DAD'S G4 TO JAMAICA ST YEAR.

HEY, Y TRY
FLYING COMMERCIAL
WITHLBS OF KUSH.

BUT THOSE DATHE POLAR ICECAPS
BEHIND ME, AARGRATEFUL, NICK.

( caor chanting in Hebrew )

( continues chanti )

GOOD YONTIF.

THIS IS WILDLY
INAPPROPRIATE,

COMING TO MY SHUL
ON THIS DA
OF ALL DAYS

TO DISCUSS MEY.

I HAVE A BAD ENOUGH
RETATION HERE

AFTER THE HELLISH DIVORCE
I' JUST GONE THROUGH.

AT LEAST
YOU'RE AT A PLAC
WHERE YOU CAN MEET

A NICE JEWISH RL,
ARTHUR.

COME ON,
WE WERE AT TPLE TOO.

THIS IS TIME-SENSITIVE.
D WILL UNDERSTAND.

WE ALL HAVE TO
KE CARE OF OUR OWN--

ARI, I HAVE TO
GO BACK INSIDE.

ARTHUR, LOOK, YOU SAID
U'D MEET VINCE'S QUOTE.

- YOU SAID
HIS Q WAS THREE.
- I WAS WRONG.

YOU AND YOUR FATHER
HAVE BEEN WRONG

ABOUT A LOT OF THING
ON THIS ONE, NICK.

MAYBE ANIMION
IS MORE YOUR BAG.

WOW.

YOU CUT THE RUBENSTEINS
LIKE THAON A HIGH HOLIDAY?

I'M SORRY.
RGIVE ME.

ARTHURFORGIVE YOU.
JUST MAKE A QUICK ONE CALL.
IT'LL TAKE A SECOND.

NICK, I DON'T KNOW
WHAT GS ON

AT THAT HALF-CHURCH
REFORM SYNAGUE OF YOURS,

T HERE
WE DON'T TALK BUSINESS

ON YOMPUR.

NOW PLEASE,
BEFORE IET ANGRY...

ALL RIGHT.

CALL ANDA,
TELL HER SHE'S GONNA
THTHIS MOVIE AWA

SHE DOESN'T
TRUST US, NICK.

CALL ANDA,
WHICH ONE OF YOU TRIEDNA
TO FUCK HER ANYWAY?A

BOTH. BUTMY
FATHER'S DEFENSE, HE WAS
GALLY SEPARATED AT THE TIME.

- WHAT'S YOUR EXCUSE?
- I DON'T VE ONE.
I STILL WANT TO FUCHER.

T'S CALL E.
- WHY?

PUT THE FEAR OF GOD
INTO THE LITTLE IRISHMAN

'S MORE OF
A NEUROTIC JEW
THANOU ARE.

Drama:
IT'S OKAY, BRO.

EVERYTNG'S
GONNA BE OKAY.

WINNING
AIN'T EVERYTHING

IT WOULDAVE BEEN NICE
IF YOU AT LEASTPLACED, .

WH? I HAD
A HUNDY ON THAT.

DON'T MAKE H
FEEL WORSE, TURTLE.

SO IYOU CAN'T
RACE HIMMORE,
THEN WHAT?

ARE YOU GONN
PUT HIM OUT TO STUD?

NO, HE'S STERILE.
SO IT'S EITHERHE DUDE RANCH
OR THE GLUE FACTORY.

THE GLUE FACTORY?
YOU'RE KIDDING.

UNFORTUNATELY, ITHIS GAME
SOMETIMES YOU GOTTA
CUT YOUR LOSSES.

WEHOW ABOUT
I CUT YOUR LOSSES
FOR YOU?

W MUCH TO TAKE HIM
OFF YOUR HANDS

- JOHNNY, HEY,
WARE YOU DOING?
- ARE YOU CRAZY?

I OWE HIS GRANDDAD, BRO.
PLUSI'M FLUSH WITH
NETWORK FUNDS AN.

HOW MUCH?

- ( phone rings )
- TWO GRD.

- TWO GRD?
- YEAH, ARI.

- DO YOU WANIS MOVIE, E?
- WHAT ARE YOU TALKING ABOUT?

I'M TALKING ABOUT MOY.
YOUR GIRL IS ASKING
FOR MUCH OF IT.

NO, VINCE SPOKE TO HER.
SHID IT WAS ALL GOOD.
WE WERE JUST WAITING

- FOR THE STUDIO TO GN OFF.
- IT'S 3:30. THEY'REOT
GONNA SIGN OFF.

THEY'VE GONE AS HIGH
THEY CAN GO.

So unless shstarts
slashing prices

LIKE CRAZY EDD
IT'S BYE-BYE, BOGOTA.

- WELL, HOW R OFF
ARE THEY?
- 100%.

IT'S AN ARTHOUSE MOVIE.
SHE'S TRNG TO TURN IT
INTO M:i:III.

I THINK SHE'S TRYI
TO BLOW THE DEAL.

THE CLOCK IS TICKING.

GET BACK TO ME, E.
I GOTTA RUN.

I DON'T EVEN KNOWWHAT T.

I DO. I'M SORRY.
I WILL FAST THE WHOLE WEEK

TO PROVE TO YOU
HOW SORRY AM.

JUSTET YOUR ASS
IN THAT TEMPLE AND S A GOOD
EXAMPLE FOR YOUR CHILDREN.

GIE THE PHONE.

AND THE BAD PHONE.

( harrumphs )

THANK YOU.

VINCE, I'M COMPLETELY
SHOCKE BE HEARING THIS,

BECAUSE WH I LEFT
THEY SAID THERE WAS
PROBLEM

D NOBODY'S
CALLED ME BACK SINCE
TO TELL ME OTHERWISE.

WELL, WILL YOU
CA THEM BACK, PLEASE,

FIND OUT WHAT
THEY'RE TAG ABOUT,
LOCK THIS THING DOWN?

I WOULDN'T EVEN KNOW
ERE TO REACH THEM.
I DON'T HAVE NICK'S NUMBER.

WELL, YOU DO
HAVE ARI'S.

YOU NT ME
TO CALL ARI?

I KNOW YOU HATE
ALING WITH HIM,

BUT IT FOR ME,
PLEASE.

SURE.
- THANK YOU, AMANDA.

I APPRIATE IT.
BYE-BYE.

YEP.

G
WHAT, SHE DIDN'T WANT
TO CALL ARI?

Vince:
UNDERSTANDABLE, NO

- WHAT?
- I MEAN, YOU KNOW,

DO YOU THINK
THERMAYBE ANY TRUTH
TO WHAT ARI WAS SAYING?

THAT SHE TRYING
TO SCREW THIS UP?
WHWOULD SHE DO THAT?

MAYBE SHE DOT LIKE IT
FOR YOU 'CAUSE SHE DN'T
FIND IT FOR YOU.

- CO ON.
TO GO AWAY FOR SIX MONTHS.
HANDCUFFS, VINCE. YOU

AW, THE DOWNSIDE OF FUCKIN
THE REPRESENTATIVES.

YOU AGREE WITH THESES
TOO, JOHNNY?

DON'T GET ME WRONG,
AMANDA A HOT-LOOKING BROAD,

BUT SHE AIN'T NEVEHAD
A PIECE LIKE YOU, BRO.

- HUH.
- YOU THINK VINCE IS
A PIECEDRAMA?

- IT'S A FIGURE
OF SPEECH, JACKASS.
- WHATEVER.

- AT IS YOUR PROBLEM?
- MYROBLEM IS THE DEAL
ISN'T DON VINCE,VER.

AND YOU'RE TALKING TO HER
LIKE SHE'SOUR GIRLFRIEND
AND NOT YOUR AGE

SHE'S DEALING WITH IT.
- I HOPE SO.

E ARE WE
GONNA KEEP THIS GUY,
DRAMA, SERIOUSLY?

RIGHT RE,
TILL WE FIND HIM
A GOOD HOME.

WHAT'S THE PROBLEM?

( liquid trickli

NO PROBLEM.

ON THIS HOLIEST OF DAYS,

GOD ASKS US
TO LOOK WITHIN OSELVES

AND ASK FORGIVENESS

FOR THE THINGS
WE HDONE TO WRONG
EACH OTHER.

THOUGH A SOLEMN DAY,

WE CAN LOOK AT I
WITH HOPE,

FOR IN THIS YEAR
WE WILL BE BETTER.

WE WILL ACT
OUT OF KINDNESS

AND SELFLESSNESS.

( phone ringing )

I THINK THAT'S
YOUR PHONE.

HAVE YOU EVER HEARD
OF "VIBRA( phone beeps )

WE WL PRACTICE
THE CALL TO ACTION...

WHAT IF
THAT WAS AMANDA?

NICK, L HAVE
TO WAIT.

WHAT IF IT WAS VCE?
WHAT IF IT WAS E?

NICK, IT WILL VE
TO WAIT.

LOOK, I CAN'T AFFORD
TO WAIT,KAY?

I'M THE ONWHO
FUCKED UP THE QUOTE.
MYHER SAYS

ANMORE MISTAKES,
I'M GONNA HAVE TO
GET A REAL JOB.

ARI, I'M GONNA
END UP DRUNKGAIN
SELLING INSURANCE.

I HAVE TO GO BACK
TO ARTHUR.

ARI, DON'T.

BABY, THE KID IS MELTI DOWN
LIKE PHIL MICKELSON
AT WINGED FOOT.

I CAN'T ABANDO
A BROTHER IN PERIL,
NOT ON T HIGH HOLIDAYS.

ABANDON AGAIN, ARI,
AND YOU'A WHOLE LOT MORE
HAVE TO THAN PRAY.

- I WOULDN'T MOVE, DADDY.
- Rai: ...WE MUST
FACE THE WRONG

WEAVE DONE TO OTHERS
THIS YEA

AND THE WRONG
THAT HAS BEEN DONE
UNTO US.

$5000 TO BOARD A HORSE,

AND THAT DOESN'T
EVEN INC FOOD.
I AM SO PISSED RIGHT NOW

YOU THINK YOU' PISSED?
WAIT TILL THE GARDENER SS

HE HAS TO CLEAN UP
MORE THAJUST ARNOLD'S SHIT
ON TUESDAY.

MAYBE YOU SHOULD
RETU HIM, JOHNNY.

I CAN'T, BRO.

I LOVE HIM.

YO, THE KING JUST
LEFT THE BUILDING.

- WHAT DO YOU MEAN?
I MEAN HE JUST WALKED
RIGUT OF THE GATE.

- WHERE DID HE G
- HE DIDN'T SAY, DRAMA.

YOU CAN'BABYSIT
FOR TWO SECONDS, CAN YOU?

HOW IS THIMY FAULT?

KING!
KING!

Turtle:
I TOLD Y.

WELL, GET IN THE CAR, TULE.
WE GOTTA FIND HIM.

'LL BE RIGHT BACK.
COME ON, Y FAT BASTARD,
LET'S GO.

- Tule: SHUT UP.
- ( phrings )

- IT'S AMANDA. HELLO.
- HEY.

SO I LEFT WORD FOR ARI
AND I'M ST WAITING
FOR A CALLBACK.

SHE'S WAITING
FOR A CALLBACK.
WHAT?

WELL, SHE SHOULD
CALL ARI AIN.
LET ME TALK TO HER.

HOLD ON.
E WANTS TOALK TO YOU.

- HELLO.
- WHAT'S UP, E?

UH, AMANDA,
YOU SHOULD CALL ARI.

WE HAVE A DEADNE.
THE SUN'S STARTING TO SET.

ERIC, WHAT DO
YOU WAE TO DO?
I LEFT A MESSAGE AND I SAID YES.

WELL, WHAT IF
DOESN'T GET IT IN TIME?

ERIC, DO YOU
REALLY BELIEVE

THAT ARTR GATOFF
IS GONNA SCRAP AN
$8MILLION MOVIE

BASED ON SE
RIDICULOUS DEADLINE?

WELL, THAT'S WHA
THE PRODUCER OF THE MOVIE
, SO YES, I DO.

ARE TRYING TO HOLD
THE A GU OUR HEADS
AND YOU'RE FALLING F IT.

alls this
an arthouse film
This is 50 arthouse films.

AND ALL WILL BE FINE.
So,TRUST ME, OKAY?elax

OKAY?

OKAY.

NOW I WILL CALL YO
WHEN I HEAR SOMETHING.

WHAT'D SHE SAY?

SHINKS THE DEADLINE
DOESN'T MEANHIT.

WHAT DO YOINK?

I THINK SHE'BEEN
ON THIS MOVIE FIVE MINUTES.

WE'VE BEENHASING IT
TWO YEARS.

DON'T WANT TO LOSE
THIS MOVIE, E.

SO WHAT DO YOU WANT TO DO?
I'LL DANYTHING YOU WANT.

I WANT TO GO FD
NICK AND ARI OURSELVES.

OLD SCHOOL E AIN'T PLAYI.
ALRIGHTY.

- ( hip-hop music
laying on radio )
- KING! OH, KING!

ARE YOU AROU HERE, KING?

HE HORSE, DRAMA,
NOT A HOUSECAT.

- THINK WE'D SEE HIM
IF HE WASROUND.
- DON'T EVEN TALK TO ME,TLE.

I D NOT LEAVE
THE GATE OPEN, ALLHT?

I TOLD YOU
IT OPENS AOMATICALLY
WITH THE SENSORS.

NOT WHEN I GO OUT THERE,
IT D'T.

AT'S 'CAUSE
HE'S A HORSE, DRAM
HE WEIGHS 3000 LBS.

- JUST DRIVE THE CAR.
ALL RIGHT, RELAX,
WE'LL FHIM.

WE'D BETTER.
AUSE IF ANYTHING
HAPPENS TO HIM

I'LL NEVER
FORGIVE MYSELF.

( chuckles )
LO

THANK GOD.

KING! KING!

KING! KING!

ALL RIGH
DON'T CROWD HIM,
DON'T CROWM.

STEP AWAY.
STEP AY FROM THE HORSE.
HE GETS A LI NERVOUS.

HOW ARE YOING, BUDDY?
WHERE HAVE YOU BEE

IS THIUR HORSE?

INED IT IS, YOUNG LADY.
INDEED IT .

COOL
THE COPS HAVE BEEN
ASKING EVEONE.

EXCUSE ME, OFFICERS,
IT'S THIS GUY'S HORSE.

( police rio chatter )

CAN WE EAT YET?

IN FIVE MINUTEHEL,
YOU CAN EAT TILL YOU DROP.

OKAY OKAY.

EXCUSE ME.

I'M NOT EVEN MAKING A .
I'M JUST CHECKING MESSAGES.

IN FOUR MINUTES, A
WHEN THE SUN IS DOWN.

LOOK AT YOUR UNCLE.

SHELLEY!

SORRY SORRY.
M A BAD JEW.
SHOOT ME.

HEY, ARI.

OH, WILL YOU LOOK
AT THIS, HUH?

THE BOYS FROM QUEENS
E IN THE MARKET
FOR SOME BRISK

WE TRIED TO CALL YOUU.
T NO ONE WAS ANSWERING.

WETHAT
WOULD BE MY FAULT.
I HA HIS PHONES.

WHAT'S UP?

- WE'RE IN, ARI.
- WHEVER IT TAKES.
JUST TELL US

- HOW TO GET AHOLD OF NICK.
- AT'S EASY.
YOU GOT A PHONE?

WHAT?
THEY'RE NOT JEWISH.

( phone ringing )

Sheila:
N'T YOU DARE
ANSWER THAT PHONE, NIC

HEY!
MY LIFE IS FALLIPART!

I HAN'T EATEN
IN 10 HOURS!

SO GET OFF MY ASS!

( phone continues ringing )

I'M SORRY.
I'M SORRY.

- HELLO.
- NICK, I'M STANDING
HERE WITH VINCE

- HEY, NICK.
- HE'S IN.

I'M INNICK.
WHATEVER YOU NEED.

i:
He'll jump
on a plane tonight,

lock a deal tomorrow
if everyone agre
to be fair.

YEAH, WELL,
LIFE'S NOT FR, GUYS.

WHAT DO YOU MEAN?

IT OVER.
IT'S OVER.
THE SUN HAS SET.

- AT ARE YOU TALKING ABOUT?
- WE'VSTILL GOT TWO MINUTES.

WE'RE GOOD TO GO.
- HE PULLED THPLUG, ARI.

- WHAT DO YOU MEANNICK?
- I MEAN IT'S GONE.WALL.

ERIC, IT'S GONE.
THE MOE IS GONE

AND THERE'S NOTHING
I CAN DO ABOUTG IT.

6:58.
EVYBODY CAN EAT.

THANKSI LOST
MY APPETITE.

$5000 BUCKS
R NOT HAVING A PERMIT.

THAT'S TWICE WHAI PAID
FOR THE BIG BOY.

AND YOU' GONNA KEEP
GETTING TICKETS, DRA.

YOU GOTTA GIVE
THIS GUYACK.

THEY'LSEND HIM
TO THE GLUE FACTORY, TURE.

NO GO.

WE GOTTA FIND HIMA GOOD.

DO YOU KNOW ANYONE
THAT'S GOT HORSES?

YOU KNOW EVERYONE
I KNOW, DRA. NO.

I GOT AN IDEA.

OH, IS DOESN'T
SOUND GOOD.

OH NO, IT'S GOOD.
IT'S VERY GOOD

FO HORSE
AND MY CAREER.
COME, Y. COME ON, KING.

- E ARE YOU GOING?
- HELP ME GET M
IN THE TRAILER.

GUYS, I KNOW HOW MUCH
YOU WAED THIS,
AND AS A FRIEND

I CAN ONLY SAY
I'M SORRY.

- THANKS.
- THANKS, ARI.

HEY, YOU KNOW,
AND THANKS F NOT BASHING
AMANDA DURING THIS.

I KNOW YOU'VE EN
DYING TO.

I THINK THE SITUATION
EAKS FOR ITSELF.

- ARI.
- SORRY SORRY.

- SEE YOU, ARI.
GOOD NIGHT.

HE WOULD HAVE NEVER
LET THIS HAPPEN.

NO, HE WOULDT HAVE.
SO WHAT NOW?

NOW I DEAL WITH IT.

TAKE ME TO THE RESTAURAN

( rings doorbell )

HEY, EDDIE.

HEY, JOHNN
WHAT'S UP?

SORRY TO BOTHER YOU.
I HOPE YOU'RE NOT
IN THE MIDOF DINNER.

NO NO, WE JUST FINHED.
BUT HOW DID YOU GET
MYRESS?

GOOD ONE, EDE.
BUT I'VE BEEN HERE BEFORE.

HAVE YOU?

HAVEN'T I?

WHAT'S GOIN?
ARE YOU NERVOUS
ABOUTHE PREMIERE?

NO NO, I FL GOODONNA WATCH,
ABOUT THAT.E, ALL RIGHT?

I GJUST CAME BY
TO SAY THANK YOU

'CSE I OWE YOU
BIG TIME FOR THIS ON

- AND I WON'T LET YOU DOWN.
- AT'S GOOD, THAT'S GOOD.

I APPRECIATE THAT,
ALL RIGHT?

AND I BROUGHT YOU A GIFT
AS A TEN OF MY
APPRECIATION.

- A GIFT?
YEAH YEAH.

COME HER
YOU'RE GONNA LOVE IT.

- TURTLE!
( King neighs )

U BOUGHT ME A HORSE?

YEAH, WELL, I THOUGHT
SIE YOU HAVE
SMALL KIDS...

ARE YOU T
OF YOUR FUCKING MIND?
THIS IS BEVERLY HILLS.

WHAT AM I GONNA DO
WITH A HORSE?

OH MY GOD,
A HORSE!

IS THAT FOR MY BIRTHDAY?
HE'S SO BEAUTIFUL!

Eddie:
THANK YOU, MAN.

NICE.

OU WANT ME
TO GO IN WITH YOU?

NO, I GOT IT.

BUT WAIT.
IT'LL BE QUICK.

( sighs )
I'M SO VINCE.

ARE YOU?

WHAT DOES THAT MEAN?

IT MEANS, AMANDA,
I CHASEDS MOVIE
FOR TWO YEARS

HARD THAN I'VE CHASED
ANYTHING IN MYIFE

AND I WANTED IT SO BADLY.

I KNOW, VINCE,AND I WANTED IT F.

- IT DOESN'T FEEL THAT WAY.
- ? HOW DOES IT FEEL?

IT FEELS LIKE YOU STALLED.
AND I'M JUST WONDERING,

ARE YOU STALLINGS MY AGENT
BECAUSE YOU DON'T
LIKE THE PROJECT

OR AS MY GIRLFRIEND

BECAUSYOU DON'T LIKE
THE IDEA THAT I'LLE
GONE FOR SIX MONTHS?

ARI CONVINCED YOU
THAT I STALLED?

I LOST A PROJECT.
WHATFERENCE DOES
IT MAKE WHO IT WAS?

THE DIFFERENCE IS,
YOU HAVE NEVER LET ARI GO.

WELL, MAYBE
I SHOULDN'T HAVE.

NO, YBE YOU
SHOULDN'T HAVE.

BUT LET ME JUST
TELL YOU THI

I DIDN'T LOSE THE E.
THE MOVIE WAS LOST

WHEN NK RUBENSTEIN BARGED
INTO ARTHUTOFF'S TEMPLE

FOR THE SECOND TIME
THIS AFTON

LIKE TPOILED
LITTLE BABY HE IS.

NOW ARUR PAYS PEOPLE
TO MAKE HIS LIFE EASIER,

BUT TODAY
NICK DIDN'T DO THAT.

INSTEAD, HE AGGRAVATED
HIM EVORE.

AND I KNOW THIS
BECAUSE ARTHUR CALLED ME
RIGHT TER SUNDOWN.

AND YOU KN WHAT HE SAID?
I'M GONNA CUT LOSSES.
BUT I LOVE VINCE.

I'D LOVE TO DOG JUST ABOUT
ANYTHING ELSE WITH H.

LET'S SET A LUNCH."

I FEEL STUPID.

PRABLY DOESN'T HAPPEN
TO YOU A LOT, HUH?

( chuckles )

SOT DO WE DO NOW?

NOW, VIN
WE SAY GOODBYE.

( hip-hop music playing )